Showing posts with label Genre: Ecchi. Show all posts
Showing posts with label Genre: Ecchi. Show all posts

Saturday, 25 January 2014

Knickers Up In A Twist: Colorful (1999)

From http://anime4ok.narod.ru/P/colorful-01.jpg

Dir. Ryutaro Nakamura

Over sixteen episodes lasting six minutes each, Colorful explores a situation that can be pretty awkward for heterosexual men, or awkward for the women depending on what happens. It can happen in any situation, but this anime concentrates on men obsessed with women. Sat across the other side, walking past, on the bus or cramp train. Sexual objectification is a potential issue, but it's as much an issue of code of conduct, and also how one reacts in such a situation too. The male notices the woman. The human eye has to see a person in their entire figure to make a picture of them, but it does so in fragments too to get a full image. Sexual attraction to the other person, male or female, could be involved. It also depends on one's reaction to areas of the human body that are considered sexual. And what one can image in your head when an image suggests it to that individual onlooker. The woman's legs are bare under a skirt or shorts. They may be voluptuous and/or wearing very revealing clothing. Is it okay to notice? Ignore it? Is it ok to look? Is what my sister once said, that a brief glance at a person's figure is okay, gawking at them too far, or is it more complicated than this? Colorful is about the even more potentially awkward situations. The main trope, although amongst others, is the accidental glimpse of a woman's underwear - sat or getting out of a car, at the top of jeans crouched, a gust of wind. There are other situations too - the sight of a person's bra, of their cleavage leaning over, accidentally brushing against them, a strained skirt button. Also in this series the men are flat out gonzo for these sorts of situations, or perverts, looking out for these moments like hawks. How, when the situation happens, they discombobulate with all the facial distortions of a Looney Tunes character, the absurdity of it revealed.

Anime is pretty notorious for its sexual pandering, especially now as it's taken to an extreme level, discomfortingly so at times as an anime fan as this sort of thing is now getting the front pages of Netflix and is becoming what anime is perceived to be. The near-nudie shot - ironically actual nudity not that prevalent despite the era of ultra-adult anime of Ninja Scroll (1993) - has been around for decades. The gag where a male character falls on a girl and has his hand on her breasts by accident, only to get his head kicked in has been bread-and-butter in sex comedy humour for as long. The schoolgirl with breasts bigger than the pumpkins you can get in supermarkets in October is getting nearly as old. The accidental exposure of a girl's knickers by various means too. The border between harmless sexuality and just crass sexism is up to debate in most cases, some shifting to the latter pretty quickly, and that's not including those that cause you to frown at how lifeless and just un-sexy they. How they make sexuality and erotic desire, in their lameness with these jokes, a commercial regurgitation when animation should allow for some of the wildest and imaginative sexual fantasies, and the most beautiful romances, to be depicted. Yet the clichés are still being used because, to use that old phrase, if it ain't broke, why fix it? I'm faced in the medium, as a fan, with how much this is a sellable commodity, for good and the truly abominable, the beautiful, sexy and fun with that which makes me find my male gender unsalvageable in their misogyny. Colorful at first is wonderfully hysterical in kicking this aspect in the teeth. A male sees a woman, or goes out of their way to see one in a compromised position without them noticing, and react in a way, whether they see anything or are thwarted, that is utterly comical in how rubber faced they are drawn in reacting. That and how they can be thwarted or compromised themselves in the various sketches, when the woman realises what's going on, if they're flying low, or claimed by a haunted lamppost.

http://mkmiku.files.wordpress.com/2010/06/clrfl4.jpg

Originally made for segments for a television program, the work is also presented as a series of abstract vignettes with reoccurring characters. Two male friends obsessed with women, particularly their English language teacher who does amazing things with her tongue when showing how to pronounce the letters "L" and "R". A female athletics student and her male coach, who views her with pride in her abilities and holding back his lust. An American tourist who desires to be a film artist and to see "the upside down Mount Fuji", which doesn't leave much to the imagination when I finally realised the metaphor after the viewing of the series. The tone of Colorful is abrasive structurally. Segments over each episode's six minutes involve repetitious and distorted imagery between them. Multiple animation styles and aesthetic presentations co-exist together, and the music is drum-and-bass and electronic. The series doesn't match at all to the director's more famous work Serial Experiments Lain (1998), but the willingness at improvising and mixing different artistic styles, while staying in a consistent tone, is there between them. The results in the first few episodes are rambunctious, bawdy and manic.

The major issue with the series is that even over sixteen episodes, that are only six minutes long each, less than two hours, it wears out its key joke and premise quickly, never going anywhere else with it. It stops being about the absurdity of heterosexual male sexuality but just an excuse to see hand drawn women's underwear with them not being a willing participant in the erotic side. Most are just one dimensional background for jokes, and the reoccurring female characters don't get to be in on the joke. There's also a lost potential in flipping this idea on its head and imaging a heterosexual woman taking the position as the voyeur that's never considered. The jokes, like those in the West about this sort of thing, also eventually get to punch lines that may be offensive to some or at least eye rolling depending on how you view what a situation like this would be like in reality. A male inadvertently eyes up a fat or old woman, and is viewed as a joke, whether its sexist not even needing to be touched upon because the joke is lame already. One joke even goes as far as a different type of person wearing women's panties, a lame joke before you even consider if its offensive or not. By some time, the abstract tone of the series sadly becomes repetitious as well - it plays with the same notes, never expanding them into more bizarre and imagining flourishes. Moments in the last episodes do shine. The reoccurring characters help, especially when the American's final segment, with a friend from his country, becomes an image within an image and a bickering argument, of accented Japanese that even namedrops Woody Allen you can only hear. Ideas fall into the best of psychotronic imagination, that was part of reason why I feel in love with anime in the first place, where the truly unexpected takes place and is used to its potential even if more to the idea could have been done. Such as a high school girl the size of a kaiju appearing from Tokyo harbour; the obvious underwear joke is there, but its more funny for the matter of fact tone and details like what happens when a phone the size of a monument starts vibrating. It's a shame that the series doesn't play in this sort of area more often and just continues the same joke over and over again until it become tasteless or unfunny.

The episodes were probably not meant to be seen one-after-another, but each time the programme slot was on in Japan, but the joke is still one note the more its repeated and the original laughs are lost. It's a fascinating curio, with some great laughs, but it really doesn't live up to its premise. An entire level of satire or goofball humour with the idea of the male libido that it doesn't take advantage of. You don't even see any actual nudity or sex either, which adds a strange note to this criticism. It teases, in the sex and humour, but eventual you call its bluff as somewhat repetitious and get a little bored with it.

http://cdn.static.ovimg.com/episode/619621.jpg

Sunday, 29 December 2013

To Clear Through The [Re]Watch List #2: Nurse Witch Komugi (2002)

Form http://nsm01.casimages.com/img/2008/01/24//080124073811194601639808.jpg

Dirs. Masato Tamagawa, Masatsugu Arakawa, Yasuhiro Takemoto and Yoshitomo Yonetani

The problem with Nurse Witch Komugi is one that goes beyond the complaints taken at Japanese anime within the last decade or so. Those complaints are still there. The discomforting sexualisation of young girls even if they're animated. The pandering to a small subset of otaku where the fetishes and in-jokes to anime are alien to any outsider. Honestly even if you did have fetishes to glasses on a woman, big breasts, maid outfits etc., or have watched obscure giant robot shows from the seventies, you may feel a disconnect to this still. The problem is that, for its few bright spots of imagination and clever humour, able to mock itself too, the sum of it is the issue that faces not just anime, but any group. Geek culture. Cult works. Hobbies. Dare I say even religion and politics. When the quality and fun is replaced with a cheap aesthetic look and everything feels tacky. Not fun. Extravagant. Sincere. Uplifting. Clever. Sexy. Any potent feeling, not even kitsch. Just tacky. And such works are knowingly tacky, which is worse because it'll encourage the followers of that areas to just want tackiness. Within five straight-to-video episodes, including a bonus "2.5" one, it automatically caused my heart to sink when the opening theme is a sickly cute song, sung in too high a voice by the female singer, using medical terminology to describe romance. The lyrics are ridiculous, the voice too high, but the problem is how contrived it feels even when I don't speak Japanese. Too cute. Too quirky. To the point it doesn't feel sincere. This is not something cheesy that you can enjoy for its sincerity and because it's ridiculous, like how I've fallen in love with the song by Loudness from the animated box office bomb Odin (1986) which I covered on this blog. This is just being cute because it wants to be surface level cute and nothing more.

The anime is a spin-off from a TV series called Soul Taker (2001), which not only takes characters from a serious work and place them in a comedy, but it became far more popular and talked about then the original source. I have never seen an episode of Soul Take but this isn't a hindrance for Nurse Witch Komugi. Now the references to anime from the past I may have to see to get some of the jokes. Komugi is a downtrodden cosplay idol, looked down upon by her management for continually screwing up the jobs assigned for her to become more famous. A lot of the reason she screws up is that she has to juggle a secret alter ego, transforming into a nurse witch to defeat the minions of a King of Germs, a task assigned to her from a magical land of medicine with a perverted rabbit mascot by her side. Representing the villains is a maid witch; a great idea from the series is that she has a Dr. Jekyll and Mr Hyde personality where neither side knows of each other, one the villain, the other Komugi's school friend. From there it's a comedy with action but its empty. You're stuck with a work that panders but offers nothing of real interest for a great deal of it. Loosely connected around Komugi having to fight evil virus monsters and being a cosplayer trying to get higher in her career choice, it boils down to a series of absurd sketches per the six episodes but not really succeeding.

A great deal of it is arbitrary. The titillation, of course taking cue of the magical girl genre its riffing on to show Komugi's costume change sequence like a stripshow, is creepy because, like in most anime unfortunately, the characters are seventeen or younger. But its creepier and perversely lazy in how it's incredibly chaste while yet having countless bathing scenes and the like, especially as a straight to video release. Treating sexuality in such a compromised way yet presenting dubious sexuality in a sugar coated tone is incredibly off for me even after all the anime I've seen. In the perfect world, if titillation was still required, the creepy sexualisation of young girls would be boated out in favour for grown up female characters, as much in control of the sexual nature of the work as the viewer. Unfortunately even then, if the lazy, chaste tone to it was kept in still, the anime would be compromised as before. This kind of anime takes sexual fetishes and smoothens them of all their interest and depth in favour of a checklist mentality. Big breasts. Older women. Maid costumes. Nurse uniform. Flat chests. To decry any sexual objectification of this sort of thing is too obvious. Decrying this sort of anime for killing off any sense of mystery and tantalisation to sexual fantasies, especially when animation could give one the chance to show something completely fantastical if actually used properly for once, should be done more often.

The same laziness is there with the references as jokes. They're funny when you don't even need to know the references, when the jokes already funny in context of these new characters or completely bizarre to you because of the lack of knowledge. But like Family Guy at its worst, it's a private conversation that isn't actually that worth knowing the secrets of, because there's nothing beyond the surface name checking. Moments do shine in the anime. The bosses Komugi deal with are imaginative and funny. One representing all those otaku fetish forums, which naturally pisses Komugi off when the "flat chest" forum, represented by cat people, group around her. A giant robot that gets its own mecha show theme tune sung with burning passion like the originals. Legions of road raging vehicles that leads to a peculiar joke mocking completely CGI animation being released around the time this was made. Even a wrestling match in Hell. And those moments, mentioned earlier in the review, when it mocks its own industry, while completely hypocritical considering the anime itself, do sting. Crazed fans. The chaos of fan conventions, and an entire episode about making anime that shows that the creators of this are masochistic about their profession.

There was the potential for something great here, but most of Nurse Witch Komugi is not like the good ideas presented above. Most of it responds to the most mediocre aspects of anime in recent years, which are just dull to sit through. The final episode tries to be fairly serious, in air quotes since its still humorous, about a teacher witch (presumably) with breasts so large they have the consistency of beanbags than living flesh. The lack of time in twenty or so minutes to make something compelling, especially when the actual story is of the episode is dull anyway, prevents it from doing anything of worth. It's pretty much like this for most of the anime over its episodes. Brief glimpses of goodness swallowed by the tenuous. It's kind of surprising that one of the directors of this was Yasuhiro Takemoto, considering looking into him he made two good comedy vignettes series, Lucky Star (2007) and Full Metal Panic? Fumoffu (2003), bearing in mind their imperfections and that they were based around vignettes rather than a consistent plot. The thing is thought, while Lucky Star is the superior of the two, Full Metal Panic? Fumoffu is a good comedy series which yet still suffers from problems effecting this one - bad opening theme, creepy titillation suddenly appearing in a later episode, and some moments that fall over badly even if they're rare. And this was a work with clear delays between each episode, and multiple directors working on various episodes, which unless the quality is kept to a high level, is going to cause drops in said quality to take place. Ultimately Nurse Witch Komugi is pretty much the sort of thing not really worth seeing. I actually rewatched this a second time when it came to this review, and frankly the sense that this was made for the smallest, tiniest audience of people who have no real connection to anyone else even in Japanese pop culture is big. And it's not good. It looks cheap, it's not funny enough, and it does define how tacky anime can unfortunately get.

From http://pic.rutube.ru/video/33/3e/333e02e08f06fb49d6e34f95303bc03e.jpg