Friday 3 May 2013

Mini-Review: The King of the Kickboxers (1990)

From http://images.moviepostershop.com/king-of-the-kickboxers-movie-poster-1990-1020204106.jpg


Dir. Lucas Lowe
Hong Kong-USA

Ten years before, just after he has won the kick boxing championship in Thailand, the older brother of Jake Donahue (Loren Avedon) is killed by the uber-tough and vicious Khan (Billy Blanks, possibly influencing a couple of Street Fighter II characters just through his hair and fashion sense). Jake becomes a cop who plays on the edge, breaking protocols, who goes back to Thailand after Khan when he discovers his involvement in a series of martial art snuff films. In terms of look and ideas, The King of the Kickboxers does at least have something to bring to the table. A gruesome (and ridiculous) premise, some saltier and eyebrow raising dialogue, and an early nineties aesthetic of bright, primary colours and really dated fashion. The Street Fighter comparison is not that far off, and the final climatic battle in a bamboo cage of death is an admirable attempt at an interesting “boss battle”.

Unfortunately it’s a pretty bland early nineties martial film outside of this. Including a large segment of the hero training with comedic humour and a stereotypical blonde love interest, it never really tries anything interesting or peculiar. For a Hong Kong co-production, it also feels far too much like the (usually) blander Western counterparts. Godfrey Ho’s Undefeatable (1993) shows how these early nineties, American style martial art films can be memorable, and that film has solid martial arts fighting. The participants in The King of the Kickboxers, particularly Blanks and Avedon, are good fighters, but the fight style is limited and undermined by how the scenes, like many Western combat films, break fight sequences into pieces with the editing and camera shots. Ong-bak (2003) this is not despite the kickboxing and Thai setting. Also, blameable on the script, Jake is a completely unlikable arsehole, the snark for a hero like this pushed too far and making him an irritating individual, undermining the engagement with the protagonist absolutely needed in films like this no matter how ridiculous they are. The King of the Kickboxers is pretty forgettable.

From http://www.cityonfire.com/wp-content/uploads/2002/02/KingoftheKickboxers-KeithCooke_LorenAvedon_8bb989b4f05a522d92502e9304708243.jpg

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